With reference to Mian Tansen, which one of the following statements is not correct?

Question

Question

This question was previously asked in

Official UPSC Civil Services Exam 2019 Prelims Part A

Answer 1

The correct answer is option 1.
Key Points

The title "Mian" was an honorific given to Tansen by Emperor Akbar, but "Tansen" itself is believed to be his name rather than a title. His full name was Ramtanu Pandey, and he was known as Tansen in the court of Akbar. Hence, this statement is incorrect.
Tansen composed Dhrupads on Hindu gods and goddesses. Hence, this statement is correct.
Tansen is known for composing Dhrupads that often praised Hindu deities, reflecting the cultural and religious themes of his time.
Tansen composed songs on his patrons. Hence, this statement is correct.
Tansen composed music in honor of his patrons, including Emperor Akbar, showcasing his loyalty and artistic expression.
Tansen invented many Ragas. Hence, this statement is correct.
Tansen is credited with creating several new ragas and popularizing existing ones, significantly contributing to Hindustani classical music.

Additional Information

Early Life: Tansen was born around 1500 in Gwalior (or Behata) into a family of musicians. He showed exceptional musical talent from a young age and studied under renowned teachers like Swami Haridas.
Court of Akbar: Tansen joined the court of Mughal Emperor Akbar around 1562 and became one of the "Navratnas" or nine jewels of the court, recognized for his extraordinary musical abilities.
Musical Contributions: He is particularly famous for his compositions in Dhrupad style and for creating ragas such as Raga Deepak, which was said to have the power to light lamps through its performance, and Raga Megh Malhar, believed to bring rain.
Legends and Myths: Many legends surround Tansen's life, including tales of his ability to tame wild animals with music and create weather phenomena through his singing. These stories contribute to his mythic status in Indian classical music.
Legacy: Tansen's influence on Hindustani classical music is profound, and he is considered a foundational figure for many gharanas (schools) of Indian classical music. His legacy continues through the performance of ragas attributed to him, and he remains an enduring symbol of musical excellence in India.